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Stephanie Roland
Quentin Stevens
Katrina Simon

Abstract

Urban streets are public spaces that can gather residents and create vibrant and diverse experiences contributing to the positive qualities of an urban landscape. Windhoek’s suburban model, which has evolved from colonial and apartheid planning, relies heavily on private motorcars, which most residents cannot afford. The city’s various neighbourhoods have historically been segregated by race, ethnic group, and wealth. The city lacks public spaces where different residents can easily and freely interact. Windhoek presents a particularly unsettling disconnect between the formal systems governing and producing the city and residents' socio-cultural backgrounds and everyday spatial practices. Windhoek presents a particularly unsettling disconnect between the formal systems governing and producing the city and residents' socio-cultural backgrounds and everyday spatial practices. This paper develops a methodology that combines non-expert participatory methods and tools to investigate perceptions of young residents of Windhoek’s streetscape, extending beyond objective spatial descriptions and generalised socio-political critiques to address individual subjective perceptions, recollections, and experiences of specific urban spaces within Windhoek. The conceptual lens of the uncanny is employed as an organising concept to consider how the spatial and social legacies of colonialism and apartheid continue to affect Windhoek residents’ perceptions and behaviours in publicly-accessible spaces. The paper examines residents’ objective topological understandings of the city’s spatial structure, their movement through it, and their subjective, qualitative social perceptions about place, value and belonging connected to that spatial understanding.

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How to Cite
Roland, S., Stevens, Q. and Simon, K. (2022) “Young Residents’ Perceptions of Windhoek’s Streetscapes: The Uncanny Sense of Public Space in a Post-Colonial African Capital City”, The Journal of Public Space, 7(1), pp. 251–272. doi: 10.32891/jps.v7i1.1520.
Section
Academic
Author Biographies

Stephanie Roland, RMIT University

Stephanie is a Namibian architect with extensive professional experience working on large-scale mixed-use projects with a strong urban design and master-planning component focusing on transportation interchange and public space. She has worked in South Africa, Namibia, the United Kingdom, and South-East Asia. Her professional background in urban systems thinking and working across design disciplines extends to academia through her research and teaching. Her PhD is an urban spatial analysis of Windhoek through an innovative methodology which combines mapping with participative methods. Her current teaching research investigates Melbourne's infrastructural projects and systems-wide urban transformations, speculating on mapping and drawing methods as a form of spatial imagination.

Quentin Stevens, RMIT University

Quentin Stevens is an Associate Professor and Associate Dean of Research and Innovation in the School of Architecture and Urban Design at RMIT University. His core expertise is in people’s perceptions and uses of public open spaces and public artworks, and practices and policies for designing, planning and procuring them. This work has been published in a series of books, including Temporary and Tactical Urbanism (2022, with Kim Dovey), Activating Urban Waterfronts (2020), Memorials as Spaces of Engagement (2016, with Karen Franck), and The Ludic City (2007), as well as numerous journal articles. He has won funding for this work from the Australian Research Council, Germany’s Alexander von Humboldt Foundation, and foundations in South Korea, Taiwan and the UK. He currently leads an Australian Research Council funded project examining the ways that contemporary public memorials contribute to democratic social narratives and practices.

Katrina Simon, RMIT University

Katrina Simon is an academic and designer with a background in landscape architecture, architecture and fine art. Her research and teaching focus on the ways memory is embedded in urban landscapes, particularly in the design and history of cemeteries and memorials and in landscapes that have been altered through events such as abandonment, flooding, and earthquakes. Linked to this focus is design research into cartographic techniques that creatively extend landscape representation and design techniques that combine site specificity with the generative potential of ambiguity. She has explored these research areas through design competitions, collaborative exhibitions, workshops, and refereed publications. Katrina’s significant projects include residencies with the Interdisciplinary Laboratory of Art Nature and Dance in New York and at the Cite International des Arts in Paris, a number of solo and group international exhibitions on the themes of landscape and ambiguity including at the Prague Quadrennial for Performance Design and Space, and numerous design competition entries including the winning competition entry for Hurstmere Green in Takapuna, Auckland and a finalist team entry for the international design competition for the Christchurch Earthquake Memorial. Katrina is currently the Associate Dean for Landscape Architecture at RMIT University.

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